Finished tile laying on a table
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How to Make Your Own Ceramic Delft Style Tiles

When designing our bar, I came across some images of antique and vintage delft style tiles, and fell in love!  But then I started looking at how much they cost, and the price…. yikes!  I asked my sister, who teaches ceramics at our local high school, and she thought we could probably make something ourselves.  Well they turned out amazing!  People have been asking for this tutorial on how to make ceramic tile, so here’s exactly what we did!

Close up of handmade tile, sink and brass faucet, and wood counters and wood back bar

My sister makes very nice ceramics and pottery and teaches it at our local school.  She led the charge on this DIY project!  My daughter helped out too, she’s more of an artist than I am so she did the painting.  

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Level of Difficulty

I do not think that these were particularly hard, but I do think that a little knowledge of ceramics is useful, and you need access to a kiln (and someone to fire it for you if you don’t know how!)

I was not originally going to do a blog post about this because I thought that these tiles would be hard for the average person to replicate who isn’t already into ceramics at least to some degree.  However, I realized when reading through the comments on Instagram that there were a lot of amateur ceramicists out there that might be interested in knowing these details!

Also, my sister let me know that there are community kilns which makes this even more accessible to the DIY’er!  So if you are curious about how these are made, I put together this post for anyone that is interested!

Materials and Supplies Used

  • Clay  – We used Plainsman 370 mid fire storneware clay, which fires white/ cream
  • Underglaze – We used Amaco Bright blue
  • Glaze – We used a handmade midfire clear glaze but you can use any midfire clear glaze
  • Rolling pins
  • 1/4″ thick sticks for roller blocks to keep the clay even thickness (this is important for drying flat)
  • Knife
  • A silicone rib to compress the clay and make it smooth
  • Texture tool to make the back of the tile textured for adhesion to the wall
  • Straight edge, ruler, square
  • Kiln – (My sister has a kiln, but if you don’t have access to one, most cities have ceramic cooperatives or guilds that will fire for you)
  • Light Plastic to cover for slow drying (also important for drying flat)

Roll out the clay

The first thing that needs to be done is to roll out the clay to a uniform thickness.  We cut about a 4′ thick piece of the clay block.

Cutting a block of clay with a wire cutter
My sister cut about a 4″ slice off a clay block to roll out

We did this by hand, using little 1/4″ strips of wood to rest the rollers on.  Once you are rolling the clay and the roller is riding on the wood strips, you know your clay is the same thickness.  Having the clay be an even thickness helps them dry evenly and more flat so this is important.

rolling out clay using roller strips
We rolled the clay to a uniform thickness using 1/4″ thick strips of wood, resting our rolling pins on them

Compress the Clay

My sister explained that the reason you compress the clay is to make sure you have a stable structure and make the clay dry more flat.  She explained that the clay particles would be packed more tightly and aligned with each other after compression, which helps prevent warping or cracking.  She also said that it got the air particles out.  

To compress the clay she first covered the rolled out clay with a soft cloth.  Then, she ran a wedge shaped hand tool gently over it in each direction for a few minutes.  This will take any texture off from rolling it on a textured surface as well as compression for more flat drying.

Compressing clay using a by running a tool over the rolled out clay covered in cloth
My sister ran a wedge shaped hand tool over the rolled out clay that was covered in cloth to compress it

Determine the Shrinkage and Cut a Template

Clay will shrink as it dries and with each firing.  Each manufacturer will have information about how much it shrinks so you can figure out how much bigger to make the tiles to get the size you want after firing.

We wanted our tiles to end up around 4″ square, so we had to make them bigger than that to account for shrinkage.

The type of clay that we were using shrunk 12% so we determined that we needed to make our tile 4.5″. (We wanted a finished size of about 4 inches, so 4 x 1.12 = 4.48)

To make sure we we making all our tiles the same, we cut a template out of tar paper that was 4.5″ x 4.5″, or the size of our tile before firing.  Using tar paper is great for templates because paper gets wet from the moisture in the clay and curls, but paper templates would work too.

Using tar paper template to mark the tile
We cut out a template out of tar paper. I used it to mark the tile size on the rolled out clay.

I wanted to make a scalloped top border tile, so I made a template for that out of a piece of tar paper as well.  I made sure the width was the same as the square tiles (4.5″) so they would fit together.

tar paper template for a scalloped tile
We cut a scalloped tile out of tar paper to use as a template for the border tiles

Cut the Tiles Out

Using a ruler and sharp knife, I cut a line down one side of the tile.  I lined the template along that cut side and used it to cut out the other three sides.  

I used the template to make a mark on the size, but I used a square and a ruler to actually do the cuts to make sure the tile was nice and square.

Using a ruler and knife to cut a straight line down the tile
Although I used the template to mark the size of the tile (so I didn’t have to measure it each time), I used a ruler, a square, and a straight edge to cut the tile so the edges would be as straight as possbile.
using a sqaure to cut tile out of rolled out clay
I marked the size of the tiles with the template but used a square and ruler to cut them out so they would be straight with perfect 90 degree corners

To smooth out the raw edges of the cut tile and to get rid of crumbs and sharp edges from cutting, we wet our finger and rubbed it along the edges to round it over a little bit.

We smoothed the edges of the cut tile after

Also, to make the tile adhere better to the wall and grout, we used a texture tool to add texture to the back of your DIY Tiles with a texture tool.

using a texture tool to put textured lines in tile backs
We used a texture tool to put lines in the back of the tile so they would adhere better

Adding the UnderGlaze

The tile we used dries pretty light/ cream colour so we didn’t add any underglaze to create the white part.  But to create the blue design on the corners, we used a blue underglaze in the colour Amaco Bright Blue.  Underglaze is a paintable colored clay that is used to make designs before glazing (shiny coating).

four square tiles with different corner designs
We tried out a few different ideas for the corner design before we settled on the one we liked best

My daughter is fairly artistic so I asked her to come up with a few designs to try and we picked one.  Then she painted each one on with a little brush.

painting blue flowers on corner of tile
My daughter painted the underglaze on the tile corners

Drying the Tile

The tile then had to dry, and my sister said that drying the tile slowly was the key to a flat tile.

Finished tiles laying out on a table
Tile in progress, some waiting to be painted, in my sister’s classroom

 She had them all laid out in her classroom and put a plastic sheet loosely over it for a few weeks.  A bedsheet would work too, allowing them to dry slowly. Drying evenly, top and bottom and side to side is the key to flat tiles.

Tiles drying under thin plastic
Once finished, she covered the tile in a plastic sheet and let them dry slowly for a couple of weeks

First Firing

Once dry they were ready for the kiln!  My sister has access to a kiln that we used for this, but she said that there are often community kilns or ceramic cooperatives that will fire your pieces for you.

The first firing (also known as the bisque firing) transforms the clay into a hard, durable ceramic state.  It makes it strong enough to handle the glazing step but its still porous to accept the glaze.

Tile in Kiln
The tile goes into the kiln for it’s first firing

My sister handled the firing of the kiln, and since I’m no expert on that matter I will not go into that here!  If you have a kiln you probably know how to use it, and if you don’t, you will likely be having someone do your firing for you anyway!

Glazing

My sister dipped the top of each tile in a clear glaze after the bisque firing.   This gives the clay that shiny, finished look.

Dipping tile in glaze
Dipping the tile in glaze

Final Firing

The final firing, known as glaze firing, is a high temperature firing that melts the glaze into that hard, glassy surface.

Finished tile after firing
Tile in the kiln after final firing
Finished tile laying on a table
Finished tile laying on the table

The Final Product

The tiles did not turn out perfect, nor were they perfectly flat.  There were quite a few that were curved or a little warped, so if you are going to do this, make sure you make quite a few extra so you can pick and choose the flattest ones.

The Installation

Because the tiles and not perfectly flat, nor are they all exactly the same size, you do need to be a little more careful when installing.  

I used a generous amount of mortar for these (more than I normally would for a 4×4 tile) and I back-buttered each one.  (Back buttering just means I spread a little mortar on the back of each tile (like buttering bread) in addition to adding mortar to the wall.  Because these are less flat than normal tile, you want to make sure that you get good contact with mortar between the wall and the tile.

bottom row of tile installed on the wall
I used whatever spacers needed to keep the bottom row level and create a space between the counter and the bottom row

I didn’t use traditional spacers, but I did use spacers here and there to make sure things were lining up.  Some of the tiles were a little bigger or smaller than others.  Keeping a laser level handy to make sure your rows stay straight is a good idea.  Some spaces end up being larger or smaller in order to keep the rows even.

spreading mortar on the wall above the top row
I butt these up pretty tightly together and only used spacers here and there. I checked each row with a level as I went along to make sure things were straight. These tiles will NOT be perfect but that is part of the charm!

For the top row of border tile I was carful to make sure the mortar didn’t squeeze out the top, and when I was grouting I only grouted the sides of that top row. 

The Finished Product

If you already know and love the look of imperfect, handmade tiles, you are going to love these.  They turned out just like my inspiration images!  To say that they are my favourite part of our bar is an understatement!

Close up of handmade tile, sink and brass faucet, and wood counters and wood back bar
Curved countertop with delft tile backsplash
scalloped ceramic tray with glasses that match the tile
My sister made me a matching tray and glasses after the tile was finished too, aren’t they cut!

Let me know in the comments if you would ever try something like this!

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